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Start for freeFilmmaking in Japan - A Daunting Task?
For aspiring filmmakers, Japan presents a unique set of challenges that might deter even the most passionate. The process of securing filming permissions is notoriously difficult, often described as '100 times harder' than in places like the UK. This complexity stems from local businesses' reluctance to disrupt their operations for film shoots, a stark contrast to the enthusiasm often seen in Western countries.
Legendary director Ridley Scott's experiences while filming 'Black Rain' highlight these challenges. Despite his stature, Scott found the regulatory environment so restrictive that he vowed never to film in Japan again. This sentiment is echoed by many who find the bureaucratic hurdles insurmountable.
The Allure and Perils of Tokyo Vice
'Tokyo Vice', a series based on Jake Adelstein's book about his experiences covering the Yakuza for a major Japanese newspaper, offers a glimpse at both the allure and dangers associated with this infamous criminal organization. Despite its quality and depth, surprisingly few people seem to have watched it compared to other shows like 'Shogun'. This underlines a broader issue - international audiences' engagement with authentic Japanese narratives.
The series itself faced significant challenges during production, particularly when shooting on location in Tokyo. The crew had to negotiate with over 300 shops just to film a single street scene, showcasing the immense effort required to authentically capture Tokyo's essence on camera.
Understanding Yakuza Through Literature
Jake Adelstein's books provide profound insights not just about individual gang members but also about Yakuza as an institution. His writings debunk myths of glamorized criminal life, instead presenting a gritty reality marked by violence and strict hierarchies. Interestingly, there's a certain nostalgia towards Yakuza among some locals; they are seen as bearers of order and tradition amidst modernity’s chaos.
Evolution of Crime in Japan
Recent trends indicate a shift from organized crime syndicates like Yakuza to more decentralized groups known as 'toaru'. These groups are characterized by ad-hoc operations where members often remain anonymous even among themselves. Recruited online for what is colloquially known as 'yami b', these individuals engage in everything from frauds to assaults without any central command.
The rise of such groups has been alarming enough for Fukuoka prefecture—a former stronghold of Yakuza—to establish a dedicated division combating this new wave of crime. This evolution reflects broader global trends towards decentralized systems, mirroring phenomena observed in finance with cryptocurrencies.
Conclusion - Navigating Cultural Nuances and Crime Narratives
Japan continues to fascinate global audiences with its rich culture and complex societal issues. Whether it’s through films like 'Tokyo Vice' or books detailing intricate crime networks, there remains an insatiable curiosity about this nation’s inner workings. However, understanding Japan goes beyond consuming media; it involves acknowledging and respecting its cultural nuances and legal frameworks especially evident in its entertainment industry.
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